Sunday, August 2, 2015

Keep Your Scissors Sharp and Your Eye on the Belt






Keep Your Scissors Sharp and Your Eye on the Belt:
A Mother’s Substitute, Factory Floor


Needing to save her mother’s space, weeks later she leans out
to the cool  dark:30 to listen to the pitch of each
factory whistle, those six or so in town and
the one that calls them.  
Because she’s the one whose holding
her mother’s
spot while some salvage, maybe?, recovers?
Who can?
And all the factory women say take
as much time as you need
and the floor boss but not too long.

So the shrill whistle.  The fast packed
pail all tea and bread and what all
else could be shoved into it.  And
because she’s told not
to be one of those girls who go

table to table when she’s late, she walks early,
she’s standing in line next to the old women
who smell like church on Monday morning
and grease and vein and brain by
Monday afternoon.

She needs to be:
            in line to have her scissors sharpened,   
            to have Dotty tape her fingers,
            and stand next to her, and not
            the woman
            who hoards and heaps
            the fish in front of her like she’s a goose
            and this brood is hers, like she could save
            them only those drowning

            again. 

            Don’t drift with scissors
            in your hand honey.

But against the glass
            reflection she absolutely
            sees she’s floating in pink
            mother-of-pearl.  In funeral
            lace.  She pitches in sick
nausea.  It’s boats.  It’s steam heat
it’s sway of the gray dead …she squeezes the sharp
blades closed.  She breathes the blood
and oil, it’s raw and those dead are staring straight
at her. 

Listen: everyone here had someone
who had someone who was on
Cal’s boat.  In the clang and bang,
when the passing foreman gives
a quick wink to the girl on the end
of the belt

while
the women have a Monday night twelve hours standing
mouth, a God-Damn-It shit and piss
mouth so when the hoarder pushes
this girl out of the line when she’s falling on fish
and spit.  When she’s spitting in it, the other women fly
             to her, it’s: Listen you bitch!
            There’s fish enough
            for all of us.  You leave this girl
            alone.  You didn’t lose a soul
            at that lake.  Her mother’s lost
            plenty.  Leave her alone or I’ll stick you so no one
            would think it anything but
            the way you pull the whole belt
            to your tray and this one time you pulled
            your scissors straight into your beehive.
            Leave.  Her.  Alone.

More motherly: And missy.  Cut what you can—
tomorrow stand next to me—I’ll show
you heads and tails and how to weave
a pattern so pretty in the can
you’ll think it’s a pie crust dear.

Keep your scissors sharp and your eye
on the belt on the fish on the can this one and the one
coming undone when you’re on your way
back from the shit house better wait
to go sorry about your brother how’s your mother holding up I bet

you’re keeping her spot for her you’re a good girl
for that a good girl here stand by me I’ll show you how
to cut and pack.

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