Keep Your Scissors
Sharp and Your Eye on the Belt:
A Mother’s Substitute,
Factory Floor
Needing
to save her mother’s space, weeks later she leans out 
to
the cool  dark:30 to listen to the pitch of each 
factory
whistle, those six or so in town and
the
one that calls them.  
Because she’s
the one whose holding
her
mother’s 
spot
while some salvage, maybe?, recovers?
Who
can?
And
all the factory women say take
as
much time as you need
and
the floor boss but not too long. 
So
the shrill whistle.  The fast packed
pail
all tea and bread and what all
else
could be shoved into it.  And 
because
she’s told not
to
be one of those girls who go
table
to table when she’s late, she walks early, 
she’s
standing in line next to the old women
who
smell like church on Monday morning
and
grease and vein and brain by 
Monday
afternoon.
She
needs to be: 
            in line to have her scissors sharpened,
  
            to have Dotty tape her fingers,
            and stand next to her, and not 
            the woman 
            who hoards and heaps
            the fish in front of her like she’s
a goose 
            and this brood is hers, like she
could save
            them only those drowning
            again.  
            Don’t
drift with scissors 
            in your hand honey. 
But
against the glass 
            reflection she absolutely 
            sees she’s floating in pink 
            mother-of-pearl.  In funeral
            lace.  She pitches in sick
nausea.  It’s boats.  It’s steam heat
it’s
sway of the gray dead …she squeezes the sharp
blades
closed.  She breathes the blood
and
oil, it’s raw and those dead are staring straight
at
her.  
Listen:
everyone here had someone
who
had someone who was on
Cal’s
boat.  In the clang and bang,
when
the passing foreman gives
a
quick wink to the girl on the end
of
the belt
while
the
women have a Monday night twelve hours standing
mouth,
a God-Damn-It shit and piss
mouth
so when the hoarder pushes 
this
girl out of the line when she’s falling on fish
and
spit.  When she’s spitting in it, the other women fly
             to her, it’s: Listen
you bitch!
            There’s fish enough
            for all of us.  You
leave this girl
            alone.  You didn’t
lose a soul
            at that lake.  Her
mother’s lost
            plenty.  Leave her
alone or I’ll stick you so no one
            would think it anything but 
            the way you pull the whole belt
            to your tray and this one time you pulled
            your scissors straight into your beehive.
            Leave.  Her.  Alone.
More motherly: And missy.  Cut what you can—
tomorrow stand next to
me—I’ll show
you heads and tails and
how to weave
a pattern so pretty in
the can
you’ll think it’s a pie
crust dear.
Keep your scissors
sharp and your eye
on the belt on the fish
on the can this one and the one
coming undone when
you’re on your way
back from the shit
house better wait
to go sorry about your
brother how’s your mother holding up I bet
you’re keeping her spot
for her you’re a good girl 
for that a good girl here
stand by me I’ll show you how
to cut and pack. 

 
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