Monday, March 30, 2015

After Recovery, Dressing:



After Recovery, Dressing:
            Undertaker’s Assistant

i.  

The lake grass and his wool scapula are stiff
in a dish along with the throbless moss I’ve been
            lifting off—it’s all, this whole room,
            about lifting:  arms and legs
            and head to slip off his talisman
           
offer to his mother before we give
his body.  Too full of the lake,
            his skin is a new cartography of
            dull mustard yellow
            and near to blue hue
            as close to Mary’s Mantle

stiff in the picture in the little dish.  I know I said it, but
she’s so serine, must've been the perfect presence
            under water, and not
            a mark on him not one
            puncture or scuff from today,

just the puff of his lungs—stuffed, plugged
            sponge…and the bruising.

ii.

And soon, through the reeds, the pine trees
the birch trees a mad choir of cricket,
            their furious friction now and through
            to later, laid out straight
            on his bed while

twenty miles away, God, they’ll say later, who’d ever seen
such bats.  I imagine swarms, by twos and threes, screech
            and stream above the buggy
            water as humble a mirror
            as ever now,

imagine how their leathery babies wait in a cave,
imagine the squeeze of a mother’s tiny nipple.   
            It is a pin right into
            the middle and straight through
            to go out and away


and maybe maybe never get back after all
like this moss this shrinking wool
            devotion gone stiff,
            stiff and green, and limp
            the way the baked apple

berry in the bog withdraws its face,
pinches in its little cheeks, as if
            they were holding
            their breath against air
            or water or waiting,

like those pup bats, for milk their mothers
flapped off with in their little purse
            of a breast.  Warm
            as longing. Warm
            as waiting.  Holding it

all in.  As good a distraction as any, bats seem
to be here in this upstairs room, folded
            and pensive,  
            girls on one side
            boys on the other and now

while I wash you I wonder: in that whole
colony, how does she know who you are
            which clung-to-mossy
            stone brown baby
            is her own?

How she must grope and strain on her return—
how she must lay her ear down
            on each little chest,
            stop her own
            breath and then slice the night
           
with her relief or grief, the way the baby
calls back or doesn’t, like now, in the street,
            through the crowd and despite it
            all I hear the discreet
            knock, and your mother

brings your small bundle of clothes:—
starched white short sleeve shirt, and straight peaked
            pleated shorts, so straight
            I know the line
            will meet the middle
            of the knee, and not be

long enough to cover last week’s fall,  
scab dry again now, and flaking even
            as I’d dabbed at
            the pebbles, the silt
            tapped at the bruises

with my own powder puff of rouge, (your arms
especially now that you have short sleeves) tap
            and cover the length of time
            you must’ve been rolled and bumped
            and pushed

against the rocks, the wake of the lake,
how you drifted and waited,  like that
            pup bat:
            little
            and adrift

on the top of his world, waiting for her
to arrive, for the scrape of a claw
            of sound
            of ache
            of hollow

response an awl through the skin, into the bone
the bat, the scapula, like breath—or like water—
            or milk…

iii.

                        it’s milk I’m thinking,
            made and made and made
           
until you’re scraped off the bottom
then everything’s let down, the ache
            that awl right into
            and through  
            your bone-bat-scapula,

the grass and moss and wailing still
stiffening, but going soft, relaxing, like
            someone caught off guard
            in a clasp: the flinch, the start,
            the pause, the balm.

Tuesday, March 17, 2015

To Build a Boat, Consider:




To Build a Boat:


Do men make boats the same way God
made Eve, in that slow steam of a deep sleep’s seed?.
And what of cast off dust that flutters
against his lip then in the unzipped azaleas?  And is it the rib

men spend themselves against the most, and the spine,
the first salty clime they stroke, then time and time
into surrender to recline, the sighing coax
of a quiet lie, the divide, and then surprise: split ridge,  

from stern to sternum, how each ribbed pinion,
each twin bone cheval framing the siren song is
that crave of feet and hands on something solid,
each pine sized and felled, tree after tree lying

stripped, skin
to heart, split.
Oh God: Oh Her.
Oh boat.

To steam to curve enough
to cure it with its companion rib—
Two and Two and Two.
Then Two and Two and Two.  Soon labor’s a boat  

bow to stern for boys to float, heartthrob and lung-throb
retreat resume, beating breathing briefly retreating…
Wonder: did God, after taking Adam’s rib, hold it
to his lip where words curved furious as steam, curved

as She, Eve, came there, until they, God-She were split in
two, until she was stamina and clavicle, scapula,
and split wide pelvis, each her marrow-harrowed-bone
soldered and sunk into its sheath

to pitch to pine and skin, to rig each artery and vein
each nerve her own sleep through that biblical day
she’d breathe the way God taught her
in His dream.  And does she slide the way boats slide

when men arrive: released from her berth, slow going
until the tide rises, glides up the sides, a palm on thigh…
all that fuss and crack and fracture, bulging eyes until
the stride resides in the sigh, until the wide

the cautious pause before he’s full on
in, her blurry surface of viscous heat, sea a blind
dividing, a buckle and rub kneading into her
skin-rib, the pull and push back, when the liquid parts

her the way God did, with the skin, with the rib,
before he set her alone,
adrift,
the electric dust all sizzle and whisper in those unzipped
azaleas….



Friday, March 13, 2015

paper covers rock


paper covers rock

in earnest pleasure
boys shake:

rock
paper
scissors
for the last ride
in the boat

rock breaks scissors
every
single
time.

no one
seems to think about paper
how it floats
a long time
above rock
like a leaf
on water
even soaked
even, yes, wet
until, 
finally saturated,
it

s
i
n
k
s
.

it
sinks.