Saturday, December 20, 2014

the grieving married couple






the grieving married couple get ready for bed

They stood, their clothes flapping
softly.  Glass floats covered with a gray crust.
The bones of seabirds.
At the tide
line a woven mat of weeds
and the ribs of fishes in their millions stretching
along the shore as far as the eye could see
like an isocline of death. 
One vast salt sepulcher.  Senseless.  Senseless. 
                            The Road
                            Cormac McCarthy






the words he’ll never read keep coming anyway
a sea whose only knowing is push and pull
push and pull a man going in
to a woman a woman going into a woman
going into a man going into a man.  but not like that.
ok maybe like that.
maybe a little.  but only because of the salt.
decide its only because of the salt.  and maybe
the wind.
and maybe,
because winds never stop talking,
maybe even because it never stops
singing he once put his mouth against a drain-
spout so retched with detritus it’s almost ancient
Hebrew, a gurgle of atonement,
something he’d want to put his mouth against
again and again, the drainpipe draining
down his throat in words and words and words that keep
coming up her spine where he used to be
his chest against it sometimes or from behind
the way he’d sneak up and invite himself
in and she never said no because maybe
one day he’d be right where he is now and she’d be right
where she is now and no one would
want to touch her no one would want
or maybe even care to hear the faint
radio of a letter rubbing against another letter
and another and then space space       space
as wide as a blank page in a book
as bound as the spine of that book
as generous and needed as consensual
sex the words he’d never read never see
never hear she mouths them anyway she spits
them she makes tea she bakes cakes and meat
with them and eats and drinks and waits
at the tide clock not ever looking not needing to
he having gone out and she after
so many other shes and hes (though never
as good as him and never as ready)
gets ready too gets ready after all these years a thin widow


Tuesday, December 16, 2014

Shadow



Shadow


Golden chalice, good to house a god.  Please
            don’t tell me how the story ends.
                                                Cormac McCarthy
                                                The Road

Aside from his skin, and how it puckered
            in water, faded in the long wool winter.
And his fair hair curled like a periwinkle
            on the floor two or three times
a year.  Aside from the first shirt and short
            pants I made his second spring
and how perfect they slid, straight
            to the knee and never further, (aside
from saving each mistake even with the cost
            of fabric) I miss his shadow
the most.  Because it was still
            in the room when he’d stepped out,
it hinged him to the floor, the wall…and even
            though his straight from play tang
lolled longer, or his fresh from mass or his bath,
            and that I’d walk through and it would be
on me and in me, the evanescent perfume
            was soon mingled and gone:  that shadow.
I’d step on it and we’d neither feel no crick or misery
            while I watched it slide across the kitchen
or the porch or the lawn or the sidewalk
            or the church isle or the grocery
isle, how the ceiling or the sun at once
            possessed him and grew him larger
or smaller than I ever could, and how, all at once, this flat
            closure of everything has made him   
take his leave.  Of the floor.  The wall.  Even these furrows
            and the kerfs I’d never seen
before until now, sitting here, holding a dust-
            rag in the dark incense of his bed-
room.