Shadow
Golden chalice, good to
house a god. Please
don’t tell me how the story ends.
Cormac McCarthy
The Road
Aside from his skin, and how it puckered
and
faded like the worn wool of winter,
And his fair hair a curled periwinkle
in
the sink two or three times
a year. Aside
from the first shirt and short
pants
I made his second spring
to
the knee and never further (aside
from saving each mistake even with the rising
cost
of fabric) it’s his shadow, his constant
shadow I miss
the most. Because it was still
in
the room when he’d stepped briefly out,
it hinged him to the floor the wall…and even
though
his straight- from- play tang
lolled, or his just from mass resin or his
cold
soapy
bath...how I’d walk through and it would be
on me and in me, his evanescent smell.
Too soon ruined and spent. And that shadow.
I’d step on it and we’d feel no crick or misery
while
I watched it slide across the kitchen
or the porch or the lawn or the sidewalk
or
the church isle or the grocery
isle, or how the ceiling or the sun at once
possessed
him and grew him bigger
or smaller than I ever could, and how, all at
once, this flat
lid
has taken even that, has made him
lightless.
The floor. The wall. The furrows
and
the kerfs. Now I smell shadows
sitting here, clutching his cassock
to
my nose in the dusky balm of his empty bed-
room.
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