“Why, if it was an illusion, not praise the catastrophe, whatever it was, that destroyed illusion and put truth in it's place?”
― Virginia Woolf, A Room of One's Own
Later
it will be as she’s some pilgrim and not feel it for anything but high alders,
and
a trail all her own to break. Her lungs and concession at least.
And
because what’s there yields now to water, her absolute vault of silence
has
flown: into suits into shoes packed into stowed into remains and those names
all
their precious names whispered in tissue with the dried lilies and sweet
peas,
creased the way she saw later, much later,
an origami crane the one brother may
have
brought back from the war because he remembers his brother
liked
birds, even that cussed gull, whose tulle smooth face and sometimes,
depending
on the light, lavender breast that instigated awe.
Really it’s because she wants
the
buttermilk quench of that astringent lake bottom. To call up such sting she tips
over
her own shadow to pinch it in her diaphragm, float it in her throat, her esophagus.
And
because it’s the way of all waves in wind, its impulsive brusque is the cut
of
air, a bird at swim in all that blue nauseous blue air.
Teach
me to sink she’d plead, and stay sunk. Teach me
to
be this whistling loon, or that glassy seal slunk under, make me be the shutter
of their ink pot red or black bottomless gloss eye.
To
stay on bottom longer and longer. It’s
ok I’m not a boy please,
you
never have to tell Mama—
Because
before it was only gulls and seals and boys swimming was let to.
Only
ever modest shore. And until now ever
only a slip cling whip
of panic beneath it all
of panic beneath it all
when
that boat tipped. Yes a slip through that
cling, into all that water. Look
how
quick we all go from calm to confusion,
the
way some birds drift and float and from absolutely nowhere fleece
the small songbirds who, seized by a prey’s anxiety, are all instinct, all empty
breast
nest blown open by a screech when they fly back and learn the news.
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