Wednesday, July 15, 2015

kiss






                                                                     kiss

for years after, for the rest of his life, he’d lay his face on breathing things, any warm
or cold breathing thing, he’d believe: he’d stare and it would rise, and

he’d scour the mouth, the nose, he could see it he’d vow he’d see it: the coil and recoil
of clouds, it was as though the sum total of the cause of the lake that day his brother

went under went into him and he kept biting breath, or swilling it depending, as if it when it was frozen it was coke in a cup, and if he tried to look through it would be

suspended stars suspended in mid-pop

and when the thirst of it was desert razed, and there, mid way, a mirage: a Moses-struck stone where air poured out of instead water, air sweet air, taking and giving air.   

                                                            The summer after he’d put his ear over the mouth of one boy

and two girls as a game, the way he’d seen the minister or the Coast Guardsman put their ear
over the girls and boys all laid out in a line, listening, how the men suspended their ears over little

lips begging….

and one by one they wouldn’t give, no matter how hard they were struck or rubbed.  The pulled blanket or coat or linen scarf over the face still

wouldn’t
rise

Tuesday, July 14, 2015

Is Any of This Reclaimable?














Is Any of This Reclaimable?


Maybe it’s the rhythm of the sonnet he wants
though sonnet’s not a word he’d know.  Because what’s
a sonnet but a song, a whistled whisper, a fanned
and pleated apron spread wide as a Fundy fog.  And as low.
And as wet.  But here’s what’s different: it’s warm
under skirts, it’s warm as the coax of milk to let it down
in her February four a.m., it’s warm as tea-kettle
water poured over the ice in the trough, it’s warm
as watching the thin hole widen but go straight down
first straight to the solid bottom and either pop
what’s down there back up again, or, knowing it’s not,
pour and pour anyway until the kettle’s nothing
but lime sift, a few flakes shifted on the wet
bottom’s surface. 

In the barn, in the stall, it’s always warm against the broad
hides, flat maps of America he’d stalk with his right
eye when he milked on that side and he’d press
his ear to the thigh where heart and heave are loco-
motives, where tails are shovel swings, where, when the pail
is full and already so fat and ferocious with flavor rising
toward the skim he knows he’d want that to be in him, such easy
separation, such slurp and churn.  Shushing the baby
if there was one.  Coming back to bed after a good wash.
And a wife, tight as that ice before the kettle, tight as the udder
before the touch.  Tight as the hot cloth over the mouth of the pitcher,
the raw pour through it, the swarm of indiscernible
bugs caught, caught easy, scalded out, caught and killed.

Baby, he’d want to say, or maybe because it isn’t something
he’d say, he’d just bring the milk, and lay the mug against
her thigh, the way his cheek lay against the heifer,
and watch the rise and fall of it all, her breathing, her open
and close, her sonnet sonnet lungs spreading wide

and warm and so simply alive.



Monday, July 13, 2015

Callie, oh




Callie, oh
sweet Jesus, Callie


you      a man a captain a captain a man sank unsealed your body the boat the planks a cage a seeping a sudden arthritic flume you’d drag that leg the way the coast guard dragged for bodies for years those boys those girls and you  never asks how            how                             how     do you  row a boat like that a boat that’s sunk sets and sets of lungs of blown out lungs do you know how if it was you and you were the skipper and the last thing you saw was the bottom of your boat beneath the water and your head struck the gunwales and two or three of the other sixteen were grabbing your crippled leg and screaming on the surface of the water and gulping and thrashing pulling       and then                         letting go

they let you go and you clung to their overalls their hair their belts but it went gray it all went gray if this was you if you were a man           a man in a lake in a bruise blue lake    and the weight of the water was your perpetual yoke fists on your shoulders and they were sealed like clams in your overall pockets and their hair was in your fingernails and they fought and you fought to hold to let go to this day to let go could you walk as a man a captain a man and still let go


Remains




Remains

wait a day don’t go back for a day it’s not the tide as comes in and takes a baby’s shoe mama left there takes it tosses it in and out of the cup of the wave a baby’s shoe babies don’t need shoes anyway and glen went sockless all summer who thought about his feet on and off the clam flats tough as tripe those feet and those end of the year shoes when he wore them I’m just saying we passed on to a boy at church have for years so to see one bare foot him laying on the table like he was playing sleep after the picnic he must’ve gone into the boat with shoes water’s cold I suppose it’s only June and he’s a boy just finished second grade no first grade and he doesn’t think about shoes or buttons or his shirt need sewing or underwear he left on the floor by his bed wet when he knew I’d search for the shoes if I saw his bare feet and here he is and we undress him his shirt and shorts and look here look it’s not even his shoe it’s not we bought this pair together and the knot’s loose dry and loose but a pretty bow limp as it is a girl’s bow or a woman, the teacher maybe Miss What’s-her-face, Burhoe, right maybe she, listen I’m going to see about his shoes, I’m going and I bet the Reynold’s boy is missing one too take it over to him take it and maybe Glen’s are on the bank under a bush I bet they are I’m going up tomorrow I’m going up right now let’s go and look.



Monday, March 30, 2015

After Recovery, Dressing:



After Recovery, Dressing:
            Undertaker’s Assistant

i.  

The lake grass and his wool scapula are stiff
in a dish along with the throbless moss I’ve been
            lifting off—it’s all, this whole room,
            about lifting:  arms and legs
            and head to slip off his talisman
           
offer to his mother before we give
his body.  Too full of the lake,
            his skin is a new cartography of
            dull mustard yellow
            and near to blue hue
            as close to Mary’s Mantle

stiff in the picture in the little dish.  I know I said it, but
she’s so serine, must've been the perfect presence
            under water, and not
            a mark on him not one
            puncture or scuff from today,

just the puff of his lungs—stuffed, plugged
            sponge…and the bruising.

ii.

And soon, through the reeds, the pine trees
the birch trees a mad choir of cricket,
            their furious friction now and through
            to later, laid out straight
            on his bed while

twenty miles away, God, they’ll say later, who’d ever seen
such bats.  I imagine swarms, by twos and threes, screech
            and stream above the buggy
            water as humble a mirror
            as ever now,

imagine how their leathery babies wait in a cave,
imagine the squeeze of a mother’s tiny nipple.   
            It is a pin right into
            the middle and straight through
            to go out and away


and maybe maybe never get back after all
like this moss this shrinking wool
            devotion gone stiff,
            stiff and green, and limp
            the way the baked apple

berry in the bog withdraws its face,
pinches in its little cheeks, as if
            they were holding
            their breath against air
            or water or waiting,

like those pup bats, for milk their mothers
flapped off with in their little purse
            of a breast.  Warm
            as longing. Warm
            as waiting.  Holding it

all in.  As good a distraction as any, bats seem
to be here in this upstairs room, folded
            and pensive,  
            girls on one side
            boys on the other and now

while I wash you I wonder: in that whole
colony, how does she know who you are
            which clung-to-mossy
            stone brown baby
            is her own?

How she must grope and strain on her return—
how she must lay her ear down
            on each little chest,
            stop her own
            breath and then slice the night
           
with her relief or grief, the way the baby
calls back or doesn’t, like now, in the street,
            through the crowd and despite it
            all I hear the discreet
            knock, and your mother

brings your small bundle of clothes:—
starched white short sleeve shirt, and straight peaked
            pleated shorts, so straight
            I know the line
            will meet the middle
            of the knee, and not be

long enough to cover last week’s fall,  
scab dry again now, and flaking even
            as I’d dabbed at
            the pebbles, the silt
            tapped at the bruises

with my own powder puff of rouge, (your arms
especially now that you have short sleeves) tap
            and cover the length of time
            you must’ve been rolled and bumped
            and pushed

against the rocks, the wake of the lake,
how you drifted and waited,  like that
            pup bat:
            little
            and adrift

on the top of his world, waiting for her
to arrive, for the scrape of a claw
            of sound
            of ache
            of hollow

response an awl through the skin, into the bone
the bat, the scapula, like breath—or like water—
            or milk…

iii.

                        it’s milk I’m thinking,
            made and made and made
           
until you’re scraped off the bottom
then everything’s let down, the ache
            that awl right into
            and through  
            your bone-bat-scapula,

the grass and moss and wailing still
stiffening, but going soft, relaxing, like
            someone caught off guard
            in a clasp: the flinch, the start,
            the pause, the balm.

Tuesday, March 17, 2015

To Build a Boat, Consider:




To Build a Boat:


Do men make boats the same way God
made Eve, in that slow steam of a deep sleep’s seed?.
And what of cast off dust that flutters
against his lip then in the unzipped azaleas?  And is it the rib

men spend themselves against the most, and the spine,
the first salty clime they stroke, then time and time
into surrender to recline, the sighing coax
of a quiet lie, the divide, and then surprise: split ridge,  

from stern to sternum, how each ribbed pinion,
each twin bone cheval framing the siren song is
that crave of feet and hands on something solid,
each pine sized and felled, tree after tree lying

stripped, skin
to heart, split.
Oh God: Oh Her.
Oh boat.

To steam to curve enough
to cure it with its companion rib—
Two and Two and Two.
Then Two and Two and Two.  Soon labor’s a boat  

bow to stern for boys to float, heartthrob and lung-throb
retreat resume, beating breathing briefly retreating…
Wonder: did God, after taking Adam’s rib, hold it
to his lip where words curved furious as steam, curved

as She, Eve, came there, until they, God-She were split in
two, until she was stamina and clavicle, scapula,
and split wide pelvis, each her marrow-harrowed-bone
soldered and sunk into its sheath

to pitch to pine and skin, to rig each artery and vein
each nerve her own sleep through that biblical day
she’d breathe the way God taught her
in His dream.  And does she slide the way boats slide

when men arrive: released from her berth, slow going
until the tide rises, glides up the sides, a palm on thigh…
all that fuss and crack and fracture, bulging eyes until
the stride resides in the sigh, until the wide

the cautious pause before he’s full on
in, her blurry surface of viscous heat, sea a blind
dividing, a buckle and rub kneading into her
skin-rib, the pull and push back, when the liquid parts

her the way God did, with the skin, with the rib,
before he set her alone,
adrift,
the electric dust all sizzle and whisper in those unzipped
azaleas….



Friday, March 13, 2015

paper covers rock


paper covers rock

in earnest pleasure
boys shake:

rock
paper
scissors
for the last ride
in the boat

rock breaks scissors
every
single
time.

no one
seems to think about paper
how it floats
a long time
above rock
like a leaf
on water
even soaked
even, yes, wet
until, 
finally saturated,
it

s
i
n
k
s
.

it
sinks.